Andrea Sherrill Evans
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On Summer's Margin
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Botanical Ink Sample Markers
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Flora
a void
Studio Process & Material Making
Hibiscus syriacus Paper
Fallen Leaves & 1st Snow Ink
Wild Grape Ink
Staghorn Sumac Ink
Goldenrod Ink
"Alley" Ink
Acorn Cap Ink
Black Walnut Ink
Charcoal
Watercolor
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Invasive Drawings
Invasive at VisArts
Garment for Growth
Creeper
Façade Series
Portable Plant Studies
Firewood
Marker
Woodlot
Siblings
Projects: 2007-2011
Making Amends
Wilderness Studies
Flagging/Fireweed
There Is No Place
Transplant
A Safe Distance
Socks Wars
Double Balaclava
Union Suit, Shirt/Sweater Series
Knitted Objects
Prints
News
CV
About
Contact
Andrea Sherrill Evans
Home
Artwork
On Summer's Margin
Drawings
Installation Views
Botanical Ink Sample Markers
Paper & Inks
Flora
a void
Studio Process & Material Making
Hibiscus syriacus Paper
Fallen Leaves & 1st Snow Ink
Wild Grape Ink
Staghorn Sumac Ink
Goldenrod Ink
"Alley" Ink
Acorn Cap Ink
Black Walnut Ink
Charcoal
Watercolor
Invasive
Invasive Drawings
Invasive at VisArts
Garment for Growth
Creeper
Façade Series
Portable Plant Studies
Firewood
Marker
Woodlot
Siblings
Projects: 2007-2011
Making Amends
Wilderness Studies
Flagging/Fireweed
There Is No Place
Transplant
A Safe Distance
Socks Wars
Double Balaclava
Union Suit, Shirt/Sweater Series
Knitted Objects
Prints
News
CV
About
Contact
Studio Process & Material Making
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Charcoal
Different types of wood and vines produce charcoals with varying softness and darkness.
2019
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