Andrea Sherrill Evans
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Andrea Sherrill Evans
  • Home
  • Artwork
    • New Growth
      • Drawings
      • Process & Material Making
    • On Summer's Margin
      • Drawings
      • Installation Views
    • Botanical Ink Sample Markers
    • Paper & Inks
    • Flora
    • a void
    • Studio Process & Material Making
      • Hibiscus syriacus Paper
      • Fallen Leaves & 1st Snow Ink
      • Wild Grape Ink
      • Staghorn Sumac Ink
      • Goldenrod Ink
      • "Alley" Ink
      • Acorn Cap Ink
      • Black Walnut Ink
      • Charcoal
      • Watercolor
    • Invasive
      • Invasive Drawings
      • Invasive at VisArts
    • Garment for Growth
    • Creeper
    • Façade Series
    • Portable Plant Studies
    • Firewood
    • Projects: 2007-2013
      • Marker
      • Woodlot
      • Siblings
      • Making Amends
      • Wilderness Studies
      • Flagging/Fireweed
      • There Is No Place
      • Transplant
      • A Safe Distance
      • Socks Wars
      • Double Balaclava
      • Union Suit, Shirt/Sweater Series
      • Knitted Objects
      • Prints
  • News
  • CV
  • About
  • Contact
© ANDREA SHERRILL EVANS
Website by OtherPeoplesPixels

Studio Process & Material Making > Natural Pigment Watercolor

rock (or compacted soil) gathered in Baltimore County as natural pigment
rock (or compacted soil) gathered in Baltimore County as natural pigment
2020
grinding process with mortar and pestle (while wearing a mask)
grinding process with mortar and pestle (while wearing a mask)
2020
mixing the ground pigment with gum arabic (1/2 t pigment + 1/4 t gum arabic)
mixing the ground pigment with gum arabic (1/2 t pigment + 1/4 t gum arabic)
2020
mixing the ground pigment and gum arabic on a glass palette
mixing the ground pigment and gum arabic on a glass palette
2020
testing the natural pigment watercolor
testing the natural pigment watercolor
2020
© ANDREA SHERRILL EVANS
Website by OtherPeoplesPixels