Andrea Sherrill Evans
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On Summer's Margin
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a void
Studio Process & Material Making
Hibiscus syriacus Paper
Fallen Leaves & 1st Snow Ink
Wild Grape Ink
Staghorn Sumac Ink
Goldenrod Ink
"Alley" Ink
Acorn Cap Ink
Black Walnut Ink
Charcoal
Watercolor
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Invasive Drawings
Invasive at VisArts
Garment for Growth
Creeper
Façade Series
Portable Plant Studies
Firewood
Projects: 2007-2013
Marker
Woodlot
Siblings
Making Amends
Wilderness Studies
Flagging/Fireweed
There Is No Place
Transplant
A Safe Distance
Socks Wars
Double Balaclava
Union Suit, Shirt/Sweater Series
Knitted Objects
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CV
About
Contact
Andrea Sherrill Evans
Home
Artwork
New Growth
Drawings
Process & Material Making
On Summer's Margin
Drawings
Installation Views
Botanical Ink Sample Markers
Paper & Inks
Flora
a void
Studio Process & Material Making
Hibiscus syriacus Paper
Fallen Leaves & 1st Snow Ink
Wild Grape Ink
Staghorn Sumac Ink
Goldenrod Ink
"Alley" Ink
Acorn Cap Ink
Black Walnut Ink
Charcoal
Watercolor
Invasive
Invasive Drawings
Invasive at VisArts
Garment for Growth
Creeper
Façade Series
Portable Plant Studies
Firewood
Projects: 2007-2013
Marker
Woodlot
Siblings
Making Amends
Wilderness Studies
Flagging/Fireweed
There Is No Place
Transplant
A Safe Distance
Socks Wars
Double Balaclava
Union Suit, Shirt/Sweater Series
Knitted Objects
Prints
News
CV
About
Contact
New Growth
>
Process & Material Making for New Growth
Hakone grass fiber collected for papermaking
gathered near IA&A Hillyer
2024
Cutting the Hakone grass fiber before cooking & beating for papermaking
2024
Cooking the Hakone grass fiber
2024
Hakone grass fiber after cooking
2024
Beating the Hakone grass fiber
2024
First sheet of paper made with 100% Hakone grass fiber (before drying)
2024
Samples of paper made with Hakone grass fiber & cotton
2024
Forming sheets of hakone grass fiber and abaca paper in a deckle box
2024
Making a lake pigment from Hakone grass fiber soaking liquid (before cooking for papermaking)
2024
Straining Hakone grass lake pigment after washing
2024
Dried Hakone grass lake pigment
2024
Grinding Hakone grass lake pigment into a smooth powder
2024
Making ink with Hakone grass lake pigment
2024
Hakone grass lake pigment and ink
2024
Fallen branches collected for making charcoal, ink, and paper
2024
Fallen branches divided for charcoal making (woody core) and ink/papermaking (bark & bast fiber)
2024
Cooking bark and bast fiber to incorporate into handmade paper
2024
Metal tin of wood for making charcoal
2024
The closed metal tin placed into a fire
2024
Charcoal made from fallen branches
2024
The charcoal retains the form of the branch
2024
Grinding charcoal into a powder for ink and dyeing paper
2024
Mixing charcoal powder into abaca pulp
2024
Making paper with abaca dyed with charcoal powder
2024
Plant material collected for ink making
2024
Honeysuckle leaves collected for ink making
2024
Dandelion ink samples
2024
Red deadnettle collected for ink maming
2024
Making ink with red deadnettle
2024
Dogwood blossoms collected for ink making
2024
Making ink with dogwood blossoms
2024
Palette of dogwood blossom ink with modifiers
2024
Fallen branch from a Norway maple tree
2024
Making ink with Norway maple leaves
2024
Magnolia seed pods collected for ink making
2024
Making ink with magnolia seed pods
2024
Straining magnolia seed pod ink
2024
Straining magnolia seed pod ink through a coffee filter
2024
White mulberry tree
2024
Mulberries collected for ink making
2024
Making ink with mulberries
2024
Straining mulberry ink
2024
Mulberry ink samples
2024
Studio view with handmade inks and work in progress
2024
